Martini/Hermann: Gavotta — complete violin part
Keep each half-bar upbeat poised. Retain written graces, trills and chromatic notes. Composer: Giovanni Battista Martini; Friedrich Hermann, violin/piano arranger.
Original: Gavotta from Organ Sonata Op. 2 No. 12, B 4.I.12; Peters 2643, plate 7931, c. 1891. Complete violin part, uniformly up a minor second: soprano C4–C6; alto F4–F6.
Source: Fabien Mirloup, Mutopia 1785 , CC BY-SA 3.0 ; bar 76 follows the historical print’s F-natural.
Prepare advanced upper-register, chromatic and grace-note technique. Begin with the original-pitch opening period .
Notes Used: C4, Eb4, E4, F4, G4, Ab4, A4, Bb4, Cb5, C5, Db5, D5, Eb5, E5, F5, Gb5, G5, Ab5, Bb5, C6
Notes Used: F4, Ab4, A4, Bb4, C5, Db5, D5, Eb5, Fb5, F5, Gb5, G5, Ab5, A5, Bb5, Cb6, C6, Db6, Eb6, F6
Time Signature: 2/2 · Key: A-flat major
Time Signature: 2/2 · Key: Db major
Fingering Review
Complete music
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All written refrains remain; piano, bowing, phrase slurs, articulation and dynamics are omitted. C-flat uses B’s fingering; F-flat uses E’s.
Practice
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