Lesson 36: Advanced Articulation Techniques
- Keep an even pulse with lighter second attacks.
- Compare articulation choices in Telemann’s Allegro excerpt.
Build on Lesson 15’s smooth pairs: try too-ru for a clear first note and lighter second note, both the same length.
Too-ru pairs
Say the pair first, then play it with steady air.
Practise TOO-ru on each pair.
Did-ll pairs
Next try did-ll; use whichever pair feels easy and keeps both notes clear.
Compare the sound with too-ru.
Play: Telemann, TWV 40:102 — Allegro, bars 23–25
Play once with equal attacks, then with pairs; keep note lengths, the changed pitch and the beat the same.
First part down a fourth, adapted from Gavioli (2020), CC BY-SA 3.0; second part omitted, pairing added for practice.
Now play these
- Telemann: TWV 40:102 — complete first part
- Return after Lesson 50 for the full part’s wider range.
- Telemann: TWV 41:F2 — complete Vivace
- Advanced continuation: apply paired articulation when the upper notes are secure.
- Off to California — O’Neill’s first setting
- Use the page’s triplet and demisemiquaver preparation before this ornate tune.
When the paired attacks sound distinct without changing the pulse, move on to Lesson 37.