Lesson 83: Virtuoso Studies, Part 3 — Breath Control
- Plan breaths in a slow movement so each phrase ends with a steady tone.
- Shape a Telemann phrase around planned breaths.
Leave enough air for the end of the phrase.
Plan breaths around the phrase; move a breath earlier if the ending strains.
The long-tone drill
Hold low DG for a comfortable length, then rest; try a quiet, medium and fuller tone without bending the pitch.
Plan a slow movement
Mark these in a slow movement before playing:
- Phrase boundaries.
- Shorter breaks — where a small breath fits.
- The climax — more air needed.
- Required breaths, in pencil.
A breath that comes too late moves earlier; re-mark.
The crescendo drill
Play this C majorF major scale from quiet to fuller, keeping pitch steady; breathe after FB-flat.
The daily warm-up
Try this short routine:
- Try short long tones at three volumes, resting between notes.
- Play the scale with its planned breath.
- Record one phrase; move the breath earlier if the ending fades or strains.
Now play these
- Telemann: Duet Sonata TWV 40:103 — complete first part
- Long-breathed slow passages; plan the breaths first.
- Handel: Sonata in C major, HWV 365 — Larghetto
- Use ordinary phrase breaths to keep the long line clear.
When every phrase of a recorded slow movement finishes unhurried on the planned breaths, move on to Lesson 84.