Lesson 7: Time Signatures and Simple Songs
- Feel the difference between duple meter (4/4) and triple meter (3/4) in the body.
- Play a piece in each, with the meter audibly shaping the phrasing.
A waltz is not a march played in three.
A time signature tells you how many beats fill a bar and which note value gets one beat — 4/4 means four quarter notes per bar, 3/4 means three. The first beat of each bar feels heavier; in 3/4 the second and third beats are lighter still. Your playing should make that audible without trying.
4/4 — common time
The most frequent meter in folk and popular music. Feel: ONE-two-three-four, with a secondary stress on three.
Let each downbeat be slightly more present — don't accent, just let it breathe.
3/4 — waltz time
Feel: ONE-two-three, the second and third beats floating upward toward the next one. A waltz sweeps; a march pounds.
Lean very slightly on each ONE.
Play: two folk songs, two meters
Twinkle marches in 4/4; find a 3/4 piece in “Now play these” below.
Now play these
- Au Clair de la Lune · 4/4
- Feel the downbeats without leaning on them.
- Go Tell Aunt Rhody · 4/4
- The meter is felt, not heard.
- Amazing Grace · 3/4
- Starts on an upbeat — beat 3 of a partial bar.
When the same five-note tune sounds audibly different played in 4/4 and in 3/4, move on to Lesson 8.